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Group: Members
Posts: 1981
Joined: Dec. 2007 |
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Posted: Mar. 24 2009, 12:05 |
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re: The Pat Metheny/Lyle Mays "As Falls Witchita...." numbers. Last night at work, out of pure boredom, but a 27 year obsession with those "damn numbers".....Somebody(on the net) who said they knew PM and LM said the numbers are timing cues on the long title song, measured in seconds. Beyond that, they are deliberately not in sequence, spoken by Mays on the record, and it's just a bloody mystery I'll have to live with. In '89 about an hour before I saw "the PM group" I talked to Pat in the Bass concert hall parking lot, I should have asked, damn. Why do these little trivia questions eat away at people and better yet isn't it funny artists plant these Davinci codes in there to drive you nuts? In an old review I found there is a reference to two words you all know: "The first movement of "As Falls Wichita, So Falls Wichita Falls" underscores sad, minor-key keyboard chording, an ominous bass and the clatter of wooden wind chimes with milling crowd sounds and atomic rumbling. A metallic guitar-and-autoharp encounter gives way to a lengthy, percolating passage that culminates in emphatic Tubular Bells-type riffing, churchy organ and heavenly harp. In the fourth and final section, the composition gradually "lands" on long lines of cloudy synthesized strings and ends with the eerie sound of children at play in some sort of sonic vacuum." Damn, this guy Mike Oldfield gets around doesn't he?
-------------- We raise our voices in the night Crying to heaven And will our voices be heard Or will they break Like the wind
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