Ugo
Group: Members
Posts: 5495
Joined: April 2000 |
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Posted: Jan. 27 2007, 17:14 |
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Any of them, they're all wonderful! No, seriously, their 'best of' The Journey is the best place to start if you have nothing of them. However, what follows are short descriptions of each album. In general, Adiemus/Karl Jenkins is well known for his (their?) mix of classical strings & orchestrations, loud ethnic percussion and layered-up vocals (mostly sung by Miriam Stockley) with invented meaningless lyrics. You can find more information about Jenkins and Adiemus their unofficial site, i.e. this one, and on Wikipedia.
Adiemus I - Songs of Sanctuary is their first, the one which features their biggest (and only?) hit, the eponymous "Adiemus". The song titles are vaguely Enigma-like in that they are in fake Latin, sounding like pseudo-church chants, pseudo-sacred material - but the music is not church-like, not at all. Just check out the wild percussion on "In caelum fero"...
Adiemus II - Cantata Mundi is slightly more classical-oriented, with modern renditions of Bach pieces and other baroque material, and with considerably longer songs than the first album (their average length is 7 minutes), but all very much enjoyable. At least to me.
Adiemus III - Dances of Time explores the concept of dance forms through the various ages, with pieces built as dances: a ländler, a rumba, a pavan, a minuet, a tango, a Vienna-style waltz, etc. There's also a "Rain dance" featuring another exceptional showcase of strong percussion and tribal vocals... it really sounds like a Native American rain dance.
Adiemus IV - The Eternal Knot is Jenkins' Celtic album, with song titles inspired by Celtic myths and legends and plenty of Celtic instrumentation & tunes in it. Check out "The Dagda", on the unofficial Adiemus page's Sound Gallery.
Adiemus Live - Not much to say about this, it's a concert recorded for the Welsh broadcaster Opus Television. The audience's response sounds quite enthusiastic, though.
Adiemus V - Vocalise - Their latest one, which does not feature Miriam Stockley (for unknown reasons) but does not suffer very much from that. Here Jenkins goes classical again, with Adiemus-styled renditions of pieces by Beethoven, Chopin, Schubert and a real masterpiece, Rachmaninoff's "Vocalise".
Well - I hope all of this is useful to you. Happy listening!
-------------- Ugo C. - a devoted Amarokian
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