ChiRho
Group: Members
Posts: 195
Joined: Feb. 2001 |
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Posted: Mar. 16 2001, 10:42 |
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Perhaps I should say that a complete piece of music should incorporate at least 2 ideas and 3 themes. The distinction between themes and ideas is drawn as follows:
An idea is a musical concept A theme is an actual stretch of music
To put this into context, Sentinel is clearly not identical to the opening of TB, but they are extremely similar (different themes, same idea) This may not be standard, but it is what I shall use in this post.
OK?
So a complete piece of music generally must have at least two themes, but for this a larger number is required, since an hour of the same idea would just drive you so there should be at least 3 ideas and 4 themes (that means that one idea has been expressed in two themes).
As a guide (from 'The Amarok Analysis' featured on this very site), Amarok has 234 distinct changes, encompassing about 25 themes expressing at least 8 ideas, plus a number of supplementary concepts which don't really constitute a theme, and do not really fall under an idea.
Anyone have any idea about how this relates in other long (non-Wagnerian) musical pieces?
Sorry if this means that you have to sit down and analyse these pieces in a similar manner to The Amarok Analysis, and if it makes you look stupid, lose sleep and eventually look a bit with your eyes fit to explode, but it is all in the inerest of fun.
PS Wagner's complete Ring of 4 opera is performed at a purpose-built concert hall regularly once every 4-10 years (I can't remember which), and the full performance takes about 6 days to complete I think
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