Sir Mustapha
Group: Musicians
Posts: 2802
Joined: April 2003 |
|
Posted: June 01 2012, 07:13 |
|
Quote (Delfín @ June 01 2012, 06:41) | Yeah, there are synthesisers but not too many; as the liner notes say "not much synth at all really". |
I think you have to take that line with a pinch of salt; after all, when compared to Earth Moving, you could say there are no synths at all in Amarok, in fact! The main thing is not that there aren't many synth parts in the album, but that they are extremely well employed. They're well integrated into the sonic texture, and that's what matters.
I also see mainly differences between the two albums. The biggest of them is that Thick as a Brick is better defined as a "long song"; the transitions between the different sections are smooth, the flow is mostly linear, and there are very few and punctual recapitulations all the way through. Amarok, on the other hand, is deliberately disorienting in the first half, but then connects all the dots and makes it all work together towards the end. The musical engineering in it is far more complex, like a semi-organic-semi-mechanic living being; Thick as a Brick is more like a finely architectured sculpture.
But if this thread does the favour to introduce Jethro Tull to the uninitiated, then it's already justified. One weird thing though is that Thick as a Brick was originally intended as a mockery of progressive rock. Making the whole album a single track and the whole Gerald Bostock schtick is simply poking fun at other prog bands at the time. Yet, the album was a huge hit within the prog rock scene, that the band felt compelled to do it again with A Passion Play.
-------------- Check out http://ferniecanto.com.br for all my music, including my latest albums: Don't Stay in the City, Making Amends and Builders of Worlds. Also check my Bandcamp page: http://ferniecanto.bandcamp.com
|