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Topic: Spotlight on..., Ludovico Einaudi< Next Oldest | Next Newest >
arron11196 Offline




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Posted: July 07 2008, 13:30

I have been recently looking for music that broadly complements Mike's work and that of other New Age artists, or those which I classify as New Age (Vangelis, Jeff Wayne, Alan Parsons, Pink Floyd, etc)

Ludovico Einaudi is an artist that I come back to time and time again. Most of his works can be described as minimalist; at least that's what others say. I suppose that stems from the fact that even though he studied piano to a high degree, most of his compositions aren't insanely complicated to play - he tends to use notes sparingly to create a passage.

Like Mike and Vangelis, I find that Einaudi is capable of capturing a mood brilliantly, but with Einaudi for me its more of a general feeling. I would describe it as the difference between a picture about an emotion, and experiencing the raw emotion yourself. With the picture, there are many facets and images you can take in at once; with the emotion, it tends to mould to the situation.

Einaudi's work does that for me.

His most known work is prehaps "Le Onde" http://www.youtube.com/watch?v=WntbTdZyUak

Whilst Einaudi has produced several albums, all with piano as the focus and either a few strings or a harp as backing and not much else, they all seem to have their own identity. I won't rabbit on about my own interpretation too much, but rather state my favourite tracks and a reason why I like them:

Le Onde - I first heard this on classicfm.tv when they used to play some decent music. It has this soaring, melodic calm to it, I find it very relaxing, and very beautiful.

Questa Notte - This has been used on tv quite a lot as well, though I personally like the harsh contrast to the chorus section (taurus III anyone?)

Eden Roc - A simple little construct that sounds perfect for sailing to, or perhaps driving along the coast in the heat of the evening. Very emotive and well composed IMHO.

Giorni Dispari - I can't quite describe why I like this. It's got that simple melodic beauty that feels a bit like a daydream or a fond memory.

Nuvole Binache - This was the first track from the album Una Mattina that I had come to like. I think the structure of the track is very clever. Again, as with the common theme for Einaudi, simplistic, but built upon.

Divenire - This track has more impetus and resolve for me. It still has that underlying elegance, but it sounds purposeful.

Primavera - Almost symphonic in composition, this is like a prototype for an orchestral piece in a way - I love its moods and changes.

If you have listened to Einaudi as well, and have your own thoughts, I'd like to discuss them!  :D


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Arron J Eagling

Everyone's interpretation is different, and everyone has a right to that opinion. There is no "right" one, I am adding this post to communicate my thoughts to share them with like-minded souls who will be able to comment in good nature.

(insert the last 5 mins of Crises here)
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Ugo Offline




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Posted: July 07 2008, 18:06

I quite like Einaudi - Le Onde and Nuvole Bianche [not Binache! :D] are my personal favourites of him. However, in the same musical field I prefer Giovanni Allevi, who is quite similar to Einaudi but his stuff is mostly solo piano. Allevi is much more classical-sounding  than Einaudi, but also has occasional touches of jazz and John Cage-like experimentalism. His last effort Evolution is almost entirely orchestral (except for three pieces scored for piano and orchestra) and it sounds very grandiose, very Hollywoodian-soundtrackish - in the best possible sense of that word. :)

@ Arron, if you're curious to know what Einaudi's track titles mean, I'll translate them for you. ;)


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Ugo C. - a devoted Amarokian
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arron11196 Offline




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Posted: July 07 2008, 18:23

Oops, typo.

Sounds like Allevi could be an interesting listen. I'll look out for some of his stuff...

*adds Allevi to a list of many many many must hear artists*


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Arron J Eagling

Everyone's interpretation is different, and everyone has a right to that opinion. There is no "right" one, I am adding this post to communicate my thoughts to share them with like-minded souls who will be able to comment in good nature.

(insert the last 5 mins of Crises here)
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Ugo Offline




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Posted: July 07 2008, 19:01

His (i.e. Allevi's) best albums are IMHO No Concept and Joy. And Evolution, of course.

As for Einaudi's titles...

Le Onde = The Waves.
Questa Notte = Tonight / This Night (literally).
Eden Roc = A place in Sicily. ;)
Giorni Dispari = Odd-numbered Days.
Nuvole Bianche = White Clouds.
Divenire = Becoming [= the act of becoming].
Primavera = Spring.

Hope these are useful to you... ;)


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Ugo C. - a devoted Amarokian
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Bassman Offline




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Posted: July 10 2008, 22:52

Put me down as a new convert to his stuff.  A couple of months back Tayniee turned me on to him.  I grabbed the "Best Of" album, and "I Giorni", with more to follow down the road.  Like I said before, it's exactly what I like my solo (mostly) piano music to be.  It's calm, tranquil, even a bit melancholy at times, and even when he indulges in some "New Age-y" cliches... so what?

It's GREAT when you're stuck in traffic.  Or just driving.  Or...

;)
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arron11196 Offline




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Posted: July 11 2008, 05:12

Absolutely. I like that there are dynamics to his albums... not just the same feeling over and over - but its more like a journey to me... so I definitely know what you mean about calm, tranquil and melancholy.

Have you tried Divenire yet Bassman? I've found it to be an interesting change to previous works, with the accompanying orchestra present throughout most of the CD. It'd be interesting to hear your thoughts on piano totale vs. backing accompaniment.


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Arron J Eagling

Everyone's interpretation is different, and everyone has a right to that opinion. There is no "right" one, I am adding this post to communicate my thoughts to share them with like-minded souls who will be able to comment in good nature.

(insert the last 5 mins of Crises here)
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Bassman Offline




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Posted: July 11 2008, 15:52

Sounds like a plan.  I'll get that one next.  When your sweetie lives 25 minutes away it affords you a lot of time to absorb huge chunks of music in one go.

Without having heard it I can say that I probably will like it, particularly if the accompanying orchestra is used tastefully or sparingly so as not to overpower the simple beauty of the piano.  Aww, hell... I still enjoy overpowering orchestras, too!


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Turn up the music... Hi as Fi can go.
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Bassman Offline




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Posted: July 25 2008, 19:08

Hey Arron.  Well, having listened to "Divenire" in the car for over a week straight I can say that I was delighted with it.  The orchestral arrangements were exactly as I hoped they'd be... never overstated or intrusive, but rather a compliment to the piano.

My favorite on the album is "L'origine Nascosta" (#8).  It's short, to the point, and when the string section sweeps in at 1:12 and builds the chords into a huge swell the effect is majestic, cinematic.  The piece is brief but leaves you wanting more.  It's quite affecting, and it makes expensive hi-fi equipment worth having!  Also affecting, but in a slightly different way, is "Svanire" (#12).  I find the piece to be very mournful in melody and arrangement, almost maudlin, but not overpoweringly so.  Almost like what I imagine the band played as the Titanic was going down.  Indeed, Cameron's film used music for those scenes that was so similar that the connection in my mind is indelible.

Some of the other pieces used some very subtle backwards effects, almost as though Einaudi meant them to seem trendy.  Like the aural equivalent of looking at a gentle rain through a window.  I am not bothered by it in the least, and I wouldn't want them to be altered in any way because I can't presume to know why he performed the pieces that way.  I accept them in the spirit in which he created them.  If he wanted the listener to be puzzled or unsettled (or whatever) by this bit or that bit, then it's artistically correct that his intentions have the desired effect or reaction.

Anyway, I've said it before and I'll say it again.  It's hugely enjoyable stuff, particularly for me in my car... where one probably needs stress relief the most!  Not sure which album I'll grab next but it's not a big quandary... he doesn't have a massive discography anyhow!


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Turn up the music... Hi as Fi can go.
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arron11196 Offline




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Posted: July 26 2008, 03:30

Very true about the discography... and I'm glad you like it. Like some of the other music I listen to, a fair proportion of his back catalogue is melancholy, whilst other offerings are brighter or stoic. I like this balance; It helps to take us on that journey through the ideas of the album. If it always sounded the same it would become very boring!

My favourites are Divenire and Primavera. Theres something playful and wonderous about that last track. Ugo says it means spring, which I suppose would fit to that idea.  :cool:


--------------
Arron J Eagling

Everyone's interpretation is different, and everyone has a right to that opinion. There is no "right" one, I am adding this post to communicate my thoughts to share them with like-minded souls who will be able to comment in good nature.

(insert the last 5 mins of Crises here)
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8 replies since July 07 2008, 13:30 < Next Oldest | Next Newest >

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